WHERE: Asheville Music Hall, 31 Patton Ave, 28801
WHEN: Friday April 21, 2017
COVER: $15 adv. / $20 d.o.s.
DOORS: 9pm | SHOW: 10pm
GENRE: Punk Jazz!
WEB LISTING: http://ashevillemusichall.com/schedule
The Mike Dillon Band:
HEAR SOME MUSIC: https://soundcloud.com/the-royal-potato-family/sets/mike-dillons-vibes
SEE A VIDEO: https://youtu.be/i9IBasYrSyM
• 2015 Drummies Artist Awards - Winner Rock/Pop/Hip-Hop Percussionist
• 2015 Drummies Artist Awards - Runner up Percussionist of The Year
• 2014 Downbeat Critics Choice -- Vibraphone
• 2014 Downbeat Readers Poll Winner - Vibraphone
• 2012, 2013 and 2014 Downbeat Rising Star
How many artists can claim being praised a "punk rock provocateur," "jazz vibraphone visionary" and "percussion virtuoso" in the same sentence? There's only one: Mike Dillon. Whether through his affiliation with artists like Les Claypool, Brave Combo and Ani DiFranco, collaborations such as Garage A Trois, The Dead Kenny Gs and Critters Buggin or bands he's fronted, including Billy Goat and Hairy Apes BMX, the Texas-native has set his own standard for 25 years now.
Pulling from an arsenal of musicians Dillon has played with and known over the years, he will be touring with some of the "baddest" musicians on the planet including Claude Coleman Jr. (Ween), Norwood Fisher (Fishbone), Doug Belote (Ernie K. Doe), Andre Chomondeley (Project Object), James SIngleton (James Booker) , Patrick McDevitt (Band Of Outsiders), Johnny Vidacovich (Professor Longhair), JJ Jungle (The Coup), David Butler (American Babies), Brad Houser (Critters Buggin), Robb Kidd (Papa Mali), and many more.
Dillon's most recent recording Band of Outsiders was crafted at Studio Center in Miami with the help of co-producers Gary Vandy and Richard Maloney Jr. Vandy is an old school engineer whose work includes over 200 platinum records predominantly in the disco and dance genres. His love of Zappa is what attracted him to Dillon’s work. In the age of pro-tools chicanery, the production is straightforward, capturing Dillon and his band playing live in a room.
“Two tours of Mexico and a steady dose of Brazilian music was the jumping off point for these new songs,” explains Dillon. “Add our love for The Melvins, Deerhoof, Bad Brains, Dead Kennedys, Trouble Funk and all things New Orleans and this album surpasses our intention to make the freakiest, most vibrant dance music on the planet.”
Lyrically speaking, Mike Dillon draws from his love of Miguel de Cervantes, William Burroughs, Kurt Vonnegut and Robert Anton Wilson to tell stories of New Orleans debauchery mixed with age-old themes of travel, love, self-destruction and greed. Delivered with Dillon’s trademark vocal rasp, the record has the intensity of a Tom Waits-meets-Frank Zappa black comedy. Rumor has it that Dillon lived in the same apartment that Waits shared with Rickie Lee Jones for the past seven years. However, Dillon discounts those rumors: "This apartment has housed dudes from Morning 40 Federation, Ani DiFranco, an old Conga player and a bunch of heroin addicts.”
Taken in its entirety, Mike Dillon's Band of Outsiders is a snapshot of four musicians hitting full stride. Having relentlessly toured the country in 2013—both headlining and opening for artists like Fishbone, Clutch, Primus and Galactic—its 13 songs bristle with a group mind, spill over the sides with the visions invoked during countless dead-of-night drives crisscrossing the country in a van and hit their target with a sonic assault only possible from a band that’s played 400-plus shows over the last two years.
“People are always trying to figure out how to describe our music. Maybe we should call it New Orleans punk jazz Brazilian math rock? It’s a gumbo of tribal percussion, The Meters, old school hardcore, Brazil, hard bop and anything else that might move us,” concludes Dillon. “But you know, I really don’t care what you call it. We kick out the jams harder than anyone, and we also know when to heed the lessons of The Minutemen's Double Nickels On The Dime and keep things straight to the point. There’s a reason we called the record what we did. We’re the living, breathing definition of a band of outsiders, but together we deliver simple majestic beauty, let’s leave it at that.”
HEAR SOME MUSIC: https://soundcloud.com/amandlanet
SEE A VIDEO: https://youtu.be/-KARe1tu0Cc
Amandla is the music and group of Claude Coleman Jr., familiarly known as the perversely versatile, original drummer for the group Ween. His 25-year discography stretches across an eclectic array of artists and players throughout the NY/NJ area and beyond.
Amandla is CCJ as singer-songwriter. On record he is performing on all instruments, engineering and producing. Live, he is Amandla’s frontman and guitarist.
Coleman’s song career began in 1989 with the band Skunk. Signed to TwinTone Records in Minneapolis, MN. Skunk’s second release Laid (1991) featured three Coleman-penned tracks including the slow falsetto burner I Think I Don’t Mind, later re-recorded for debut Amandla release, Falling Alone (2001).
Falling Alone was a contextual portrait of Coleman’s influences, jumping categories around alt-rock-soul-folk-psychedelic exploration. Gene Ween sings on the Tyrannosaurs Rex cover, Summer Deep.
The second amandla record The Full Catastrophe (2006) took the span of four years in which Coleman became a near-fatal accident survivor, turning crippling injuries around to perform again. The record and his miraculous recovery story profiled by The New York Times and NPR. On Catastrophe, Coleman continued Amandla’s crossing style boundaries, bringing Costello-esque pop and flirting with jungle music moods. It has been reviewed as “a minor masterpiece”.
Currently, the drummer, singer-songwriter, multi-instrumentalist, engineer / producer, music teacher, writer, web designer and carpenter has just completed the third record entitled Laughing Hearts, release date Valentine's Day, 2017.