Langhorne Slim
- The Grey Eagle Music Hall and Pub185 Clingman Ave, Asheville, NC 28801, USA, Asheville,
For more than two decades, Langhorne Slim has been a fearless voice in modern Americana, known for his raw emotion and rule-breaking spirit. On his ninth album, The Dreamin’ Kind, the Nashville-based songwriter plugs in his electric guitar and dives headfirst into big-hearted, 1970s-style rock & roll.
Produced by Greta Van Fleet’s Sam F. Kiszka, the record pairs power chords and soaring hooks with the vulnerable storytelling that’s long defined Slim’s work. “It felt like I was blowing some old shit up so I could plant some new flowers,” he says. “I love folk music, but rock & roll tickles the same part of my soul. I wanted to explore that.”
The collaboration began after Slim opened for Greta Van Fleet, leading to loose, inspired sessions with Kiszka and drummer Danny Wagner. Together they built songs that move from the propulsive rush of “Rock N Roll” and the swagger of “Haunted Man” to the tender sweep of “Dream Come True” and “Stealin’ Time.”
Recorded over a year in Nashville, The Dreamin’ Kind bridges Slim’s rootsy past with a louder, more expansive present. It’s a record of freedom and discovery, equally at home in rock clubs and around campfires — proof that Langhorne Slim, ever the dreamer, still finds new ground to break with every song.
Laney Jones and the Spirits have big f*cking heart. It’s undeniable watching Jones who usually performs live as a trio on her gnarly 1960s Sears Roebuck Silvertone guitar with her life and musical partner (Brian Dowd) holding the heartbeat on the drums.
They’re “everything that’s good about rock and roll” says GRAMMY-winning icon Lucinda Williams.
And like Williams, Jones’s road has been hard fought. Cutting their teeth on mics literally and metaphorically across the US for the past decade, Jones’s free-wheeling, do-it-yourself lifestyle is the stuff of modern folklore. With few prospects when the Florida-raised couple first moved to Nashville in 2017, they made rent by stacking beers at the local Piggly Wiggly. A chameleon of a songwriter, Jones has since found other ways to pay the bills, licensing songs for pop projects to the likes of Guinness and Google, but the music the couple creates cuts deeper than that. It’s personal.